(Photographer: Laura Montana 2010)
Here's a short bio (Edited by A. Devi Shakya)
Cameron started his musical finesse at the age of seven, playing brass instruments and piano. Through his early music years as a teenager, Cameron was in and out of various rock bands, playing at high-school competitions, gigs throughout Sydney and even getting as far as getting a Sony/BMI contract and supporting Grinspoon at the Hard Rock Cafe in Sydney. His well educated status as a guitarist/pianist has given him a great advantage to move towards the dance scene and to use his knowledge to create great versatile sets and productions, branching well out from house music and mixing in a range of Electro-House, Tech House, Progressive House and even Trance, no set lacks substance when COOPA gets to hold the floor. His motivational goal, to get the crowd to feel the exact emotions running through him, which is what, makes COOPA such a quick successor in the music industry.
Currently studying at Australia’s premium university for music, The Australian Institute of Music, Cameron’s education includes the most accredited and fundamental techniques of Composition and Music Production, with Film/TV Producer Greg White, Scott Saunders, and Hip-Hop DJ Sensation Nick Toff. He has already started bringing out near-polished remixes and his original productions are on their way.
His current monthly mixes; COOPA: Sessions has been a fantastic success, running for over two years, has produced creditable feedback from American DJ Darryl Von Rokk, US Radio website InSoulWeTrust, Blog website engine Hype-M, and several of Australian Djs/Producers.
Daft Punk; Artento Divini - Technological Reflex (Coopa Bootleg)
Booka Shade; Plastic Dreams - Night Falls In White Rooms (Coopa Bootleg)
Deadmau5; Dirty South - Let It Go Jaded (Coopa Bootleg)
Yeah Yeah Yeahs; Bass Kleph; A-Trak - Heads Will Roll On Helium (Coopa Bootleg)
Boys Noize; Radioclit - Oh, How Divine! Coopa Bootleg)
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